Audiobooks have gained popularity as a medium for experiencing literature and storytelling.

However, behind the scenes of this audio-driven world lie crucial legal aspects known as audiobook copyright laws.

These laws form the foundation of protecting the rights and intellectual property of authors, narrators, and publishers involved in creating and distributing audiobooks.

Understanding the intricacies of audiobook copyright laws is essential for both creators and consumers alike.

This article will give you a useful insight into “audiobook copyright laws.”

Audiobook Copyright Laws

Copyright laws provide protection for the authors of original works, including audiobooks.

According to Section 17 of the Copyright Act, 1957, the author or creator of a work is considered the first owner of the copyright.

This means that the author of a literary work, for example, retains the copyright for the audible book derived from the original work.

Audiobook as a Derivative of Literary Work

Copyright encompasses a bundle of rights, such as the right to

  • reproduce,
  • create adaptations,
  • distribute copies, and
  • publicly perform the work.

If an audiobook is created based on a literary work, the author of the literary work holds the copyright, as the audible book is a derivative of the original work.

However, these rights can be transferred or licensed to another party in order to produce the audiobook.

When the Work was Initially Framed as an Audiobook?

When the work was initially framed as an audiobook, they are protected under the framework of copyright law as sound recordings.

A sound recording refers to a captured rendition of sounds that can be reproduced, regardless of the medium or method used.

The rights associated with sound recordings encompass various privileges, such as creating new recordings based on the original, selling or renting copies, and publicly sharing the recording.

In the case of audiobooks, the rights typically belong to the performers and producers involved in their production.

If someone wishes to transform an audible book into a written or literary version, they must acquire the rights from the performers and producers.

This transfer of rights is typically accomplished through a contractual agreement, where the copyright owners assign their rights to another party in exchange for compensation.

It’s important to note that the ownership and transfer of rights can vary depending on the specific agreements made between the individuals involved in creating the audible book.

Therefore, it is essential to have clear and legally binding arrangements to ensure proper copyright protection and authorised use of audiobook material.

Benefits of Copyright Registration for Audiobooks

Copyright protection automatically applies to audiobooks and other creative works upon their creation.

While registering a copyright is not mandatory in India, it offers valuable benefits. Some of them are:

  • By registering, the copyright owner establishes an official record that confirms the work’s date and original content,
  • It provides crucial evidence in legal disputes and cases of infringement.
  • Additionally, India’s membership in the Berne Convention extends copyright protection to over 140 countries, granting international recognition.
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However, certain exceptions may allow limited circumvention of plagiarism protection tools for research, testing, national security, and other specific purposes.

It is important to understand and comply with the conditions and limitations associated with these exceptions.

Detecting Infringements in Audiobooks Poses a Greater Challenge

Detecting infringements in audiobooks poses a greater challenge compared to the literary medium due to several reasons:

  1. Limited tools: There are well-established software and tools available to detect plagiarism and copyright violations in textual content. However, similar resources for audio content, such as audiobooks, are less developed and less readily available.
  2. Complex format: Audiobooks are presented in an audio format, making it more difficult to analyse and compare actual content for similarities or potential infringements. Unlike textual content, which can be easily processed and compared using algorithms, audio files require specialised tools to convert them into searchable and analysable formats.
  3. Lack of audio plagiarism detection software: While there are software programs that can convert audio into text for plagiarism checks, direct infringement detection in audiobooks is not as straightforward. The technology to detect specific audio patterns or compare audio files for potential infringements is still evolving and not widely accessible.
  4. Unique challenges of audio content: Audiobooks often involve voice performances, background music, and sound effects, making it more complex to identify instances of copyright infringement. Distinguishing between intentional use, fair use, or unauthorised use of copyrighted material becomes more challenging in the audio medium.

Overall, the combination of limited tools, the complexity of the audio format, and the lack of dedicated audio plagiarism detection software contribute to the greater challenge of detecting infringements in audiobooks compared to the literary medium.

Is it Possible to Create an Audiobook if One is Not the Author or Copyright Holder?

Unauthorised recording of an audiobook may violate the author or copyright holder’s legal ownership.

Copyright law provides creators and owners with exclusive rights, such as reproducing and distributing their work in different formats.

Obtaining the appropriate permissions and licenses from the rights holder is crucial for legally recording and distributing an audio book.

To use the work in audio format, it is usually necessary to obtain a license or enter into an agreement that provides the necessary rights.

Are There Any Books That Can Be Recorded Without Violating Copyright Laws?

There are a number of books that you can record without copyright infringement. These include:

  • Books that are in the public domain. Works that are in the public domain are not protected by copyright. Thus you can use them without permission.
  • Books that are available under a Creative Commons license. Creative Commons licenses enable the use of copyrighted material under specific conditions without needing permission. It is important to carefully review the terms of the license before using any material available under this type of license, as there are various Creative Commons licenses available.
  • Books that you have created yourself. If you have written a book, you own the copyright to that book and you can record it without permission from anyone else.
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It is necessary to obtain permission from the author or publisher before recording a physical book, even if it is not protected by copyright, as they may have other rights that could be violated, such as the right to publicity.

It is recommended to exercise caution when uncertain about recording a book without permission, as doing so may potentially lead to infringement and result in legal consequences.

Related Article: Are translations of public domain works copyrighted

How to Acquire Permission to Produce an Audiobook?

Acquiring permission to produce an audiobook involves several steps to ensure that you have the necessary rights and permissions to adapt and distribute the work.

Here’s a general guide on how to acquire permission:

  1. Identify the rights holder: Determine who owns the copyright to the original work, such as the author, publisher, or literary agent. This information can usually be found on the book’s copyright page or by conducting research.
  2. Contact the rights holder: Reach out to the rights holder and express your interest in producing an audiobook adaptation. Provide details about your intentions, including the target audience, distribution plans, and any relevant experience or credentials.
  3. Negotiate licensing terms: Discuss the terms of the audiobook production, such as royalty rates, payment arrangements, exclusivity, and distribution rights. It is important to have a clear understanding of the rights granted and any limitations imposed.
  4. Obtain a written agreement: Once you have reached an agreement, it is crucial to formalise the permissions in a written contract. This contract should clearly outline the granted rights, payment terms, deadlines, and any other relevant provisions to protect both parties.
  5. Fulfill contractual obligations: Adhere to the terms of the agreement, including providing periodic reports, making payments as agreed, and meeting production deadlines. Maintain open communication with the rights holder throughout the process.
  6. Seek legal advice if necessary: If you encounter complex licensing situations or are unsure about certain aspects, consider consulting with a copyright attorney to ensure compliance and avoid any legal complications.

Remember, each situation may vary, and it is essential to respect the rights of the original creators.

Acquiring permission demonstrates your commitment to ethical and legal practices while bringing the audiobook adaptation to life.

Audiobooks vs. Audio Summaries Case

Pocket FM filed a copyright infringement case against Kuku FM, their competitor, in the Delhi High Court in May 2022.

There is a disagreement regarding Pocket FM’s assertion of holding an exclusive license with the Manjul publishing house for specific books. These books include Rich Dad, Poor Dad; Think like a Monk; and Eat That Frog.

Pocket FM was granted a license from the publisher to produce Hindi audiobooks based on their agreement.

The allegation against Kuku FM was that they violated Pocket FM’s exclusive rights by podcasting audio summaries of the books.

Pocket FM argued that they had the sole right to produce audiobooks of these titles, as per their agreement with the publisher.

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The case highlights the copyright issue in the context of audible books and the importance of honoring exclusive licenses.

It serves as a reminder that unauthorised use of copyrighted material can lead to legal disputes and emphasises the significance of respecting intellectual property rights in the audio content industry.


Copyright laws pertaining to audiobooks are crucial in safeguarding the interests of creators It establishes an equitable and lawful atmosphere for the production of audiobooks.

As technology advances and the demand for audible books grows, it becomes essential to navigate the intricacies of intellectual property to avoid infringement issues.

Copyright terms and the ability of content owners to control their creations provide a framework for protecting their intellectual property.

The Copyright Office provides helpful resources for copyright registration and management. It enables owners to establish and safeguard their rights as necessary.

While the process of acquiring permissions and licenses for audiobook creation may seem complex, it is crucial to respect the rights of the owner of copyright.

Unauthorised conversion of a book into an audible book can lead to infringement of copyright and potential legal consequences, including copyright lawsuits.

By adhering to the laws and obtaining proper authorisation, creators can confidently produce audiobook versions of their works while respecting the rights of the original authors.

This not only fosters a healthy ecosystem for audible book creation but also safeguards against the infringement of rights.


Is there a copyright on audiobooks?

Yes, audiobooks are protected by copyright law, just like written books or any other creative work.

The audio recording of a book is considered a separate form of expression and enjoys legal protection.

Can I make an audiobook of someone else’s book?

Creating an audible book of someone else’s books requires permission from the rights holder, who is usually the author or their publisher.

Without proper authorisation, recording an audiobook of someone else’s work can infringe upon their exclusive rights.

Can I create an audiobook from the public domain?

Yes, works that are in the public domain can be used to create audible books without permission.

It is crucial to confirm the public domain status of the material before taking any further action.

Can I record my own audiobook?

As the author of a book, you possess the legal authority to record your own audiobook.

However, it is recommended that you become acquainted with IP laws and ensure that any other content used in the audible book is in compliance with copyright regulations, such as music or excerpts from other works.